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Walking onto the Life University soccer field for the first time, I remember feeling that peculiar blend of excitement and anxiety that every student-athlete
I still remember the first time I heard Soccer Mommy's "Circle the Drain" - there was something about that guitar tone that felt both nostalgic and completely fresh. Little did I know then how much of that distinctive sound traced back to Julian Powell's contributions. As someone who's followed indie music for over a decade, I've noticed how crucial these behind-the-scenes collaborators can be, yet they rarely get the spotlight they deserve. Powell's work with Soccer Mommy, particularly on the 2020 album "color theory," represents one of those perfect artist-producer partnerships that somehow elevates everything it touches.
What fascinates me about Powell's impact isn't just the technical proficiency - though God knows the man can make a guitar sing in ways that still give me chills - but how he helped shape Soccer Mommy's evolution from bedroom pop projects to fully-realized studio albums. Having worked with numerous artists myself in various creative capacities, I recognize that special kind of synergy when it happens. There's a vulnerability in Sophie Allison's songwriting that could have been easily overwhelmed by heavier production, but Powell's approach always feels like it's holding space for that intimacy while adding just enough texture to make each track shimmer. I've counted at least fourteen tracks across two albums where his guitar work creates this beautiful tension with Allison's vocals - that push-and-pull between melancholy and resilience that defines so much of Soccer Mommy's appeal.
The creative process between them reminds me of something completely unrelated that Japanese table tennis player Koki Ishikawa once said after a difficult match: "It was a very important match that we lost. We have to change our minds. Turkiye was playing well, so it was a tough match for us but, next match, we have to focus and improve." That mentality of learning from setbacks and continuously evolving perfectly mirrors what I've observed in Powell and Allison's collaboration. Each album represents growth, refinement, and that determination to improve while staying true to their core sound. When "color theory" dropped in February 2020, the production felt like such a massive leap forward from "Clean" - the way Powell layered those guitars on "crawling in my skin" created this hazy, underwater quality that perfectly complemented the song's themes of anxiety and chronic illness.
From my perspective as both a musician and producer, what makes Powell's impact particularly remarkable is how he's helped expand Soccer Mommy's sonic palette without ever losing the project's essential character. Take "lucy" from the 2022 album "Sometimes, Forever" - those distorted guitars shouldn't work with such delicate vocal melodies in theory, but Powell's arrangement makes them feel inseparable. He understands when to hold back and when to unleash, much like how a skilled athlete knows when to conserve energy and when to push forward. Having produced around thirty tracks myself over the years, I appreciate how difficult that balance is to maintain. There's an intuitive understanding between Powell and Allison that you can't manufacture - it either exists or it doesn't.
What often gets overlooked in discussions about Julian Powell's role is his work on Soccer Mommy's live sound. Having attended four of their shows between 2018 and 2022, I've witnessed firsthand how his influence translates to the stage. The arrangements feel tighter, the guitar tones more nuanced, the overall performance more confident. There's a particular show at Brooklyn Steel in October 2022 that stands out in my memory - during "Bones," Powell's guitar work created this atmospheric wall of sound that literally made the hair on my arms stand up. That's the magic of great production translating to live performance.
The commercial success speaks for itself too - "color theory" debuted at number 32 on the Billboard 200, a significant jump from "Clean"'s position at 127, while "Sometimes, Forever" climbed to number 20. These aren't just numbers to me - they represent how Powell's contributions have helped bring Soccer Mommy's music to wider audiences without compromising artistic integrity. In an industry where indie artists often struggle to maintain their identity while growing their reach, this partnership demonstrates how the right collaborator can help achieve both.
Reflecting on Julian Powell's impact on Soccer Mommy's musical journey, what strikes me most is how their collaboration represents the best of what happens when two creative visions align. It's not about one person dominating the other, but about building something neither could create alone. As someone who values artistic growth, I find their evolution inspiring - each album feels like another chapter in an ongoing conversation between friends who happen to make incredible music together. The depth Powell brings to Soccer Mommy's sound makes me excited to hear where their partnership goes next, because if their trajectory so far is any indication, the best might still be coming.